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Lighting & Studio Equipment
TOOLS + PRODUCTS I LOVE
My Favorite Brands
My Lighting & Studio Equipment Picks
Strobes + Flash Triggers
I purchased the battery-powered FJ200 Strobe listed below in lieu of this FJ80 II speedlight, as the FJ200 was not that much bigger than the FJ80 II speedlight, and I wanted the extra power of the strobe. However, if you are in the market for a speedlight, the FJ80 II is an excellent choice. An especially nice thing about the FJ80 II, is that it has a universal wireless flash trigger built in, so you can use this speed light as a trigger for the FJ series strobes and Canon RT devices. It is compatible across many different camera brands, and is capable of high-speed sync up to 1/8000s, as well as front and rear curtain sync.
Surprisingly powerful for its size! I really love this strobe. It supports high-speed sync up to 1/8000s, as well as front- and rear-curtain sync. This is the first strobe that I purchased, and I take it everywhere!
Westcott S-Bracket for FJ80 Speedlight and FJ200 Strobe
This bracket is a must-have if you purchase an FJ80 II speedlight or FJ 200 strobe, and would like to attach heavier light modifiers or umbrellas. It also works with most round and rectangular speedlights, compact flashes, and LED lights up to 300Ws/60W as long as the light diameter is 2.7” to 3.4” (6.9 to 8.6 cm.) You can also attach up to four FJ80 II speedlights to this bracket!
Westcott FJ-X3 M Universal Wireless Flash Trigger
This trigger is compatible across many different camera brands. It supports high-speed sync up to 1/8000s, and normal front and rear curtain sync, and it can be used to trigger all of the Westcott FJ series lights.
FJ-T1 Touchscreen Wireless Trigger
This is the newest Westcott Wireless Trigger. It has many of the same features of the Westcott FJ-X3 M Universal Wireless Flash Trigger, but with a touchscreen and other updated features.
Another powerful and budget-friendly battery-powered strobe. This strobe has more juice than the FJ 200 strobe. It is capable of high-speed sync up to 1/8000s, as well as TTL and rear curtain sync, and it has a really impressive 0.05 to 1.3 second recycle time. This recently updated model also features a touch screen!
Westcott FJ200 + FJ400 II Strobe Kit
This kit includes one FJ 200 strobe and one Westcott FJ400 II Strobe, an FJ-X3 M Universal Wireless Trigger, and a carrying backpack.
Westcott Optical Spot by Lindsay Adler
Amazing lens and gobo kit strobe add-on that creates very focused light with optional effects. Definitely worth checking out if you love more dramatic lighting!
Westcott M6 Multi-Mount Tripod Plate
Great little gadget. Turns a tripod into a light stand. How many spare tripods do you have just sitting around? 🙂
SmallRig Macro Photography LED Light
This LED macro flex light is a great little invention! No more cobbling together your own flexible macro lighting solution! Place your macro photography light wherever you want it (think Rembrandt!) and add a second light if you wish. It’s weatherproof, and even includes a diffuser and four-leaf barndoor! I personally have been waiting for a light like this!
Light Modifiers
Light modifiers can play to a photograph’s style just as much lens choice and camera settings do. I tend to prefer edgier light most of the time, but when I am looking to create an image with softer light I go with big round modifiers. As such, I prefer to use small round light modifiers (beauty dish) and large round modifiers (Large Octa, 43″ parabolic, and 7′ parabolic umbrellas), at the small and large end of the modifier size spectrum. I prefer rectangular modifiers in the middle, as they are very versatile, and I can position them horizontally for more wrap, or vertically for more top to bottom coverage. I also think about catch lights when selecting a light modifier. A round beauty dish creates classic round catch lights in the subject’s eyes. A rectangular modifier creates catch lights that look like the light is coming from a window. One can even place gaffer’s tape on a rectangular modifier, to create the illusion of window panes. Here are my light modifier picks:
Cinefoil is great to have around as it can be molded into non-flammable (important!) barn doors and flags. I don’t recommend taping any type of flammable material to your lights for obvious reasons – use this instead. Also great for blacking out windows.
A must have. Just Google “Gaffer Tape”.
Westcott Rapid Box Deflector Plate XL
This plate helps to eliminate softbox hot spots by diffusing the light from within the softbox. Compatible with Rapid Box Switch 1×3, 1×4, 2×3, 3×4, and Octa-M and -L modifiers.
Rapid Box Switch Bowens Mount Insert
You’ll need to purchase this insert if you use any of the Westcott Rapid Box Switch light modifiers with an FJ80 speedlight, FJ200 strobe, or any other studio light that requires a Bowens mount. (Note: The FJ400 strobe comes with this insert, so you don’t need to purchase it separately.) If you want to use the Rapid Box Switch modifiers with a non-Bowen mount strobe, Westcott makes several other types of inserts. If you have any questions about which insert you need, just give Westcott customer service a call – they are great!
Westcott Beauty Dish Switch (Joel Grimes)
The first modifier I purchased. It creates beautiful light, is versatile, and it is collapsible and easy to transport.
Westcott Beauty Dish Switch Egg Crate Grid
Westcott Rapid Box Switch 1×4 Stripbank Softbox
Westcott Rapid Box Switch 1×4 Stripbank Softbox Egg Crate Grid
Westcott Rapid Box Switch 2×3 Softbox
Westcott Rapid Box Switch 2×3 Softbox Egg Crate Grid
This Westcott Rapid Box Switch 2×3 modifier is another great first or second softbox purchase if you are on a tight budget. Consider spending the money on a softbox such as this one, and then purchase a couple of parabolic umbrellas to use as round modifiers. Umbrellas are inexpensive, and the light can be softened by bouncing the light through a diffusion cover, or by shooting through the umbrella. I often prefer the light I get from umbrellas as it is softer than that of a beauty dish, but a bit edgier than that of a softbox.
Westcott Rapid Box Switch 3×4 Softbox
Westcott Rapid Box Switch 3×4 Softbox Egg Crate Grid
Westcott 43″ Collapsible White Parabolic Umbrella with Removable Black Cover
This umbrella can be used as a bounce umbrella or a shoot-through umbrella, as it features a removable black cover.
Westcott Rapid Box Switch Octa-L Softbox
Westcott Rapid Box Switch Octa-L Egg Crate Grid
This softbox is 48″ in diameter and is very versatile. It can also be used as a large beauty dish by adding a Westcott XL Deflector Plate (sold separately.)
Westcott 7′ Parabolic Umbrella Bundle
If you think you will purchase at least two of the 7′ Parabolic umbrellas listed below, consider purchasing this bundle. The bundle is essentially a “buy two get one free” deal.
Westcott 7′ White Diffusion Parabolic Umbrella
Works great as both a strobe light modifier and a scrim in mid-day sun. Creates beautiful, diffuse light.
Westcott 7′ Silver/Black Parabolic Umbrella
I prefer the Silver/Black Parabolic Umbrella to the White/Black Parabolic umbrella. But again, my style is a bit edgier, so if you like a softer light, you may prefer the white/black 7′ umbrella.
Westcott 7′ White/Black Parabolic Umbrella
Westcott 7′ Parabolic Umbrella Diffusion Cover
I like the Neewer light reflectors for both their quality and price. Impact and Westcott reflectors are good too, but they can be a bit more expensive. You can purchase 5-in-1 light reflectors in several different sizes and shapes, and I suggest purchasing them in matching pairs. Some of these reflectors also have handles that make them easy to hold and allow you to attach them to a light stand or tripod arm via 1/4″ screw threads.
These light modifiers are rather expensive, but they fold and are therefore quite portable given their size. They are also versatile and convenient. A nice-to-have that can be roughly reproduced for less money with foam core and gaffer tape. If you can’t bring yourself to spring for V-Flats, check with local art supply stores, sign companies, or grip equipment companies to see if they carry large pieces of black and white foam core.
BackDrops + Stands
Westcott 2-in-1 Black and White Collapsible Backdrop
Works great as a portable backdrop, but can also be used for fill light (white side) or negative fill (black side). Very handy.
Great backdrop paper with endless color options. For neutral gray, I like #27 Thunder Gray, but #74 Smoke Gray is the closest to 18% Gray (RGB 127-127-125). Fashion Gray #56 is a good choice for compositing in overlays during post-processing,
Pricey but amazing. These backdrops are an investment for sure, but wow!
Savage Porta-Stand Backdrop Stand
This is a great portable backdrop stand if you are looking for something light-weight to hold your paper. For heavier backdrops, consider using two C-stands with boom arms such as the Kupo C-stand listed below.
Impact Heavy-Duty Cushioned Light Stand – 9.5′
Savage Multi-Flex Light Stand – 10′
A bit more expensive than the Impact light stand, but this stand has a really unique leg design that allows for easy setup in uneven terrain and tight spaces.
Avenger Roller Stand 34 with Folding Base (Chrome-Plated/Black, 11′)
While this stand can certainly be taken on location, it is heavy and not as portable as the Impact and Savage light stands. But it is a great addition to a studio as it is on wheels and therefore can be easily moved.
This is another mini boom option. Pairs well with the Avenger Roller stand.
Kupo 40in Master C-Stand with Turtle Base Kit
Kupo makes excellent light stands, and I especially like their C-stands. Use two of these C-stands together to hold heavier backdrops.
